Am Montag, 19. Januar 2004 10:07 schrieb Doug du Boulay:
> For me the distortion of the background synthesizer chordy bit (I know what
> I'm talking about, really I do :-) seems to overload it at about the :50,
> the 2:20 and 4:00 minute marks, after which sound cuts out altogeather.
> Then about the 1:50 and 3:20 marks sound cuts back in again.
> But briefly, three times, it sounded pretty good :-)
> Its a mystery to me.
I only understand half of the above :-/
> Can alsa and aRTS play nicely togeather, or does one replace the other (not
> sure I want to go that far. The Eurythmics aren't __that__ good).
Actually, if you go more down, it gets faster and better. Arts should become a
pure lib as alsa advances more and is less painful to use.
Simply start timidity like with an init script like:
#! /bin/sh
PATH=/usr/local/sbin:/usr/local/bin:/sbin:/bin:/usr/sbin:/usr/bin
DAEMON=/usr/bin/timidity
NAME=timidity
DESC="Timidity ALSA slave"
OPTIONS="-iAq -Os"
test -x $DAEMON || exit 0
set -e
case "$1" in
start)
echo -n "Starting $DESC: $NAME"
start-stop-daemon --start \
--pidfile /var/run/$NAME.pid --make-pidfile \
--background \
--exec $DAEMON -- $OPTIONS
echo "."
;;
stop)
echo -n "Stopping $DESC: $NAME "
start-stop-daemon --stop \
--pidfile /var/run/$NAME.pid \
--exec $DAEMON
echo "."
;;
*)
N=/etc/init.d/$NAME
echo "Usage: $N {start|stop}" >&2
exit 1
;;
esac
exit 0
Most of it is copied and it cuts down to: timidity -iAq -Os
Last time I checked, order mattered.
Kmid then can make perfect use of it.
However, with kmidi you have more control. But the frontend really sucks :-(
HS
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